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Going Home (2005)
homepage/cmc_going_home.jpgThe story of an entire city, indeed the entire world, can be found in a single neighbourhood...
link me
(Artist's Statement for Valencia Architecture Conference) -
Ibiza Town (2005)
homepage/cmc_ibiza_town.jpgI try to capture the shift between perceiving the landscape as an organic whole, and seeing the particles that comprise it ...
(Artist's Statement) -
Central Station (2009)
homepage/cmc_central_station.jpgHis surfaces are pockmarked with railroad tracks and the residue of heavy vehicles, fumes rise up - these are the traces of traffic and modern life...
(Martin Mills) -
Particles (2003)
homepage/cmc_particles_01.jpgIn any given work, he may be in conversation with Canadian artistic ancestors like a Riopelle, a Borduas, a Thompson, a Morriseau, or a Jackson. But his influences cannot but be - and are - global...
(Craig Scott) -
Middle Temple (2008)
homepage/cmc_middle_temple.jpgMcLeod likes the blurry, unfocused look of a world polluted by information, where we are never alone...
(Martin Mills) -
Passing Over (2008)
homepage/cmc_passing_over_SM.jpgSome of these effects are "imprinted" as if on a map, while still others have been "placed" onto the surface, as a build up of painterly gestures.
(John K. Grande) -
Unmanned (2006)
homepage/cmc_unmanned.jpgA moment's inspection of these dark, winged forms soon reveals, however, that they are really far more mechanical than they are creaturely...
(Gary Michael Dault) -
Reconnaissance (2006)
homepage/cmc_reconnaissance.jpgOne must live with them a while before they reveal themselves, the layers coalesce over time but they never stop moving...
(Martin Mills)